DTR-126 FRESHMAN TRANS DESIGN STUDIO II

Building on the 2-D drawing and 3-D translation,methods learned in DTR 125 this course introduces,students to the fundamental design process used by,transportation designers. Through this,introduction, students will develop a basic,understanding of each phase in the process:,problem identification, concept development and,model building. Research with an eye toward,inclusive design opportunities, as well as,packaging for a variety of end users with diverse,needs will be explored. Course content may be,reinforced through field trips to local design,studios and factories.

Credits: 3

Prerequisites: DTR 125

DTR-321 JUNIOR TRANS DESIGN STUDIO II

This course covers design principles, drawing,,rendering techniques and model construction for,students concentrating on pursuing a career in,transportation design or the design of automotive,industry related products. Projects sponsored by,transportation industry companies are a regular,part of this class. There are projects covering,both the exterior and interior designs of,vehicles.

Credits: 3

Prerequisites:

DTR-432 SENIOR INTERIOR DESIGN STUDIO II

The senior interior design studio places a strong,emphasis on research influencing fresh design,decisions. Students will look for user,experience design opportunities by investigating,sustainable materials and processes, as well as,emerging cultural and technical trends. Through,advanced presentations to sponsors, students will,illustrate the user-focused nature of their,interior designs, and their readiness to join the,transportation design community. Industry,sponsors are a regular part of this course. ,Occasionally, course content may be reinforced,through field trips to professional design studio,or factories.

Credits: 3

Prerequisites: DTR 431, DTR 433, DTR 435, DTR 437

DVC-306 INTRODUCTION TO FILM

This course is designed to give students an,introduction to film as an art worthy of critical,attention. Students develop the ability to think,,discuss and write about film in an academic,context.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).

FAD-207 FASHION ILLUSTRATION

This 15 week course introduces students to the,world of Fashion Illustration. Students regularly,review and discuss both historical and,contemporary Illustrators, artists and examples of,their work. Students analyze the Illustrator’s,composition, media, technique choices and,reasoning, to contextualize each project and,inspire progressive investigation. Students delve,into drawing, painting, collaging and mixing new,outcomes, including the incorporation of,photography and digital platforms. Guest critics,are invited to offer industry feedback for the,final presentation.

Credits: 3

Prerequisites: DFN 104, DFN 119

FAD-485 SPECIAL PROJECT

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,

,WINTER 2024,

,,STUART WEITZMAN SPON PROJECT,

, In this sponsored studio with Stuart Weitzman,,one of the most iconic US luxury footwear brands,,students will design and develop a collection,their assigned brief. One of the main skills for a,graduate,designer is the ability to go into a brand and,design collections based on the understanding of,the,company’s DNA. The preparation of a professional,level presentation will include research,,collection,illustrations, and tech packs. In addition, a full,a color and material story with prototypes will be,produced to demonstrate the two-dimensional,designs in a more hands-on, three-dimensional,form.,The project will be in collaboration with the,Masters in Color and Material program.

Credits: 3

Prerequisites:

FLM-288 EXPERIMENTAL FILMMAKING I

Emphasis is placed on pushing the boundaries,(technologically, spatially and aesthetically),around the notions of narrative. Students,explore the history of non-traditional forms in,video and film, and may create single and,multi-channel video designed for galleries,,alternative and public sites.

Credits: 3

Prerequisites: FLM 201

IAD-310 IAD RESEARCH & PORTFOLIO

Taken in the semester prior to Interdisciplinary,Thesis I, students utilize this course to,research, identify, and develop potential thesis,projects in consideration of their specific skill,sets. Research methods will be reinforced and new,strategies for discovery will be developed, where,possible. The course will also include career,research, relevant to the individual student’s,particular path of study, with an eye toward,potential internship opportunities. Students end,the semester with a persuasive presentation,focused on their thesis concept, and are prepared,to apply for internships.

Credits: 3

Prerequisites: IAD 305

DAH-202 VISUAL NARRATION ASIA

This course is an introduction to Asian visual,culture through a series of case studies in visual,narration in a wide variety of media and formats,from India, Southeast Asia, China and Japan. At,the same time, the course seeks to locate,individual narratives in the larger narrative,traditions and the socio-political contexts from,which they emerge. The focal narratives range from,painted and sculpted cycles in the architectural,space of public monuments, to individual hand,scrolls and manuscripts that have more limited and,private audiences and viewing protocols. This,course examines each work of art in its particular,cultural contexts, including its patron, maker,,and original consumers. Students study the use of,visual narratives in the construction of ideals by,emperors, religious devotees and scholars,construct. In this light we will study visual,narratives that have accompanying verbal texts as,well as those that stand alone.

Credits: 3

Prerequisites: