This course looks at some of the sexual, social,,and cultural dilemmas facing women as writers,,artists and individuals, based upon the literature,written both by and about them. Readings include,novels and a series of short fiction, essays,,poetry, etc.
Credits: 3
Prerequisites: DEN 102
Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.
Credits: 3
Prerequisites:
Students create a series of works that are,developed around a central theme pertinent to,their personal interests. An advanced level of,printing techniques with dye will be explored,while expanding the knowledge and proficiency,within the craft of printed textiles. Research of,varied sources, written artist statement, and,documentation of the creative process and finished,works are complementary to the professional,practice of this studio course.
Credits: 3
Prerequisites: DFD 220
Building on Image Concepts I, this course explores,still and moving digital images as a common,language and an artistic practice. Students will,build technical skills through a combination of,intuition, technical refinement, and collective,play while exploring narrative, documentary, and,experimental forms.
Credits: 3
Prerequisites: DFN 135
This required typography course, the third in the,sequence of three, applies an understanding of,two-dimensional design space and the unique nature,of typographic communication principles. Building,on experiences in Typography I & II, students,expand their ability to work with typographic,sequential systems of communication. Students,expand the ability to use various methods,,techniques and materials in the creation of a,large scale typographic prototype. Content used,in this course presents design’s complex history,,while also providing student the opportunity to,lend their point of view in content analysis. ,Students may elect to take additional courses,,Typography IV and Type Design, starting in the,junior year.
Credits: 3
Prerequisites: DGD 152 OR DGD 201
Students acquire practical experience that,parallels the processes and methods used in,design offices. Students work on client-based,projects with the assistance of a faculty,supervisor. Projects follow all the steps in the,design process, including client contact, concept,development, client presentations and the,resolution of an appropriate communication,response in printer or interactive. Projects,briefs include integration of BIPOC organization,,non-profit institutions, and inclusive design,methods.
Credits: 3
Prerequisites: DGD 311 OR DGD 312
In this course, students learn glassblowing using,molds to extend form-making potential and to,fabricate unique molds. Techniques covered,include optical, two part and free-form molds.,Mold materials of plaster, wood, metal, sand and,graphite are explored. The use of glass color,and cold work finishing techniques complete the,experience. Projects realized include,utilitarian vessels, sculptural and architectural,elements.
Credits: 3
Prerequisites:
This course offers students an introductory survey,to the cultural, intellectual, social, and,institutional histories of consumption in the,United States. In particular students focus on,four issues: the development of the mass market at,the end of the nineteenth century, the cultural,and institutional histories of advertising and,marketing, consumption and the construction of,gender, race and sexuality and the long-running,debate over the social effects of consumption.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).
This course explores the wide range of techniques,employed when painting with transparent acrylic,,watercolor, and oil paint. Some of the methods,examined and applied by the students to create,illustrations in class are monochromatic,,under-painting, glazing, dry brush, scumbling,,wet-on-wet, gradations, renaissance, sfumato and,the combination and joining of traditional and,digital mediums. Successful and well-known,artists from a variety of cultural backgrounds,,genders, and sexual identity/orientations that,have used these methods are studied. Assignments,include figure, book, institutional, editorial,,landscape, product, and fashion illustration.
Credits: 3
Prerequisites: DIL 231, DIL 246
In this course, students explore the,characteristic of children’s book illustration,,including age, gender disability/differently-,abled, economic class, climate change/justice, and,global cultures. A variety of,techniques are explored relevant to the,translation of a story into visual form.,Professional conditions and business practices,connected to the profession of children’s book,illustration are considered. Sketchbooks are an,important component in the overall project mix.
Credits: 3
Prerequisites: DIL 231, DIL 246