Category: Academic Programs & Courses

DAE-405 SECONDARY ART TEACHING:METHODS,,MATERIALS AND CONTENT AREA LITERACY

In this class, students continue to develop and,learn professional methodologies of art,instruction for youth in middle schools and high,schools, grades 6-12. The course covers secondary,visual arts content, approaches, techniques,,materials and safety precautions appropriate for,secondary level students. Classroom management,,inclusion and accommodation of differently-abled,students, technology integration, assessment, and,student diversity issues are covered. An emphasis,on cultural and contextually reverent pedagogy is,explored through the development of a social,justice lesson plan. Content area literacy,approaches and methods for including the teaching,of reading, writing and public presentations for,secondary level students are integral to the,course. Thirty hours Field Experience in Secondary,educational settings required outside of class. ,Field experiences and hours are an integral part,of each art education course. Students are,expected to participate in field during the course,of the semester in a professional and timely,manner. Students must complete all required field,hours and associated field experience assignments,in the course before they can register for the,next art education course.,Art Education candidates must pass DAE 405 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites: DAE 315

DAH-241 HISTORY OF MODERN DESIGN

This course examines the social, economic,,political, and cultural forces that influence,modern design. Beginning with the Industrial,Revolution and continuing to present day, this,course introduces the prominent designers, their,ideas, their influences, and the historical,context in which they worked. The course covers,a,variety of media and discusses design in the,United States, Europe, and Asia. This course,satisfies the General Elective requirement.

Credits: 3

Prerequisites: DEN 102

DAS-303 PROFESSIONAL PRACTICE FOR ARTISTS

This course addresses the skills and knowledge,needed to succeed as a contemporary artist while,sustaining a professional studio practice. Topics,include creating and organizing your professional,profile, documentation and marketing, pplications,for field related opportunities, and basic small,business skills. Students will learn how to,develop a resource data base, create valuable,professional networks, and consider marketing,and exhibiting from a broad range of commercial,and alternative contexts. ,Guest lecturers, and visiting-artist presentations,connect course information with real-world,experience.

Credits: 3

Prerequisites: DEN-102

DCE-275 INTERMEDIATE HAND-BUILT POTTERY

The vast majority of the history of pottery and,vessel-making is dominated by hand-building,techniques. For thousands of years prior to the,advent of the powered pottery wheel, early,artisans formed pottery with just their hands, and,later, an assortment of hand-wielded tools. This,class draws direct inspiration from this history,as it is reflected in a range of cultures, while,also focusing on the significance of contemporary,hand-built pottery in the industrial era of today.,Students make functionally and conceptually,oriented pottery using a range of hand-building,techniques including coiling, slab work,,extruding, and hollowing-out.

Credits: 3

Prerequisites: DCE-175

DEN-317 SCI FI AND HORROR WRITING

Science Fiction and Horror may transport readers,to a planet light years away or usher them,through fiend filled graveyards and crypts.,Whether extrapolating futuristic technology from,contemporary science or conjuring novel survival,strategies, these genres imagine what might have,been or what might be, creating a platform for,rich possibility. In this course, we will explore,the nature of both genres by reading and,discussing a diverse selection of works drawn,from text, film, television, radio and comics,before students generate writing of their own.,Concepts will be reinforced through group,workshop and discussion. In this multi-genre,course, we will focus on those elements that make,for vivid, effective, memorable writing in,science fiction and horror: original detail,,memorable image, inventive language and authentic,setting. Both critical thinking and artistic,sensibility will be emphasized.

Credits: 3

Prerequisites: DEN 102

DFA-475 ART PRACTICE INTERNSHIP (3 credits)

Participation in an internship experience allows students to use classroom-learned skills in a related employment experience. Students must work a minimum of 135 hours over the course of the entire semester. To participate students must be of junior or senior status with completion of freshman and sophomore studios. Students must have a minimum cumulative GPA of 2.8. Seniors may not be eligible to participate in an internship during their final semester. Transfer students must have attended one semester at CCS in addition to meeting the other eligibility criteria. Must be Senior status.

Credits: 3

Prerequisites:

DFN-132 PROCESS & MAKING

This course will familiarize students with the,basic construction and fabrication techniques of,design model construction. Through the completion,of a hand-held power tool model, students will be,introduced to the majority of tools, machines and,best practices needed to achieve successful models,and projects within the Model Shop. Special,emphasis is placed on a high level of,craftsmanship required in models for industry. ,This course will familiarize students with,surfacing techniques appropriate to model making,and painting processes. Students learn a wide,variety of methods and techniques needed to safely,complete future projects. Safety is the MOST,essential function of this course.

Credits: 3

Prerequisites:

DGD-212 INTRODUCTION TO COMMUNICATION DESIGN II

This required course, is the second in a sequence,of sophomore courses, that develops an,understanding of theories, processes, and methods,associate with Communication Design practices. ,Through assigned projects, students develop the,ability to research content that translates into,concept, that consider audience, and utilize,creative problem-solving methodologies in order to,create a system of visual communication solutions.,Design Writing, research, and presentation are,included in this studio course, which centers,inquiry around concepts of Communication Design,History in the creation of well-crafted narratives,applied to informed design solutions (print or,digital) that provides a greater understanding of,the rich lexicon of design language(s) past and,present.

Credits: 3

Prerequisites: DGD-211, DGD-251, DGD-263

DGD-374 DATA VISUALIZATION

This elective course develops the will be,presented methods that help students take complex,data sets and transform them into expressive,graphic contexts that are accessible and readable.,Concepts of information logic, hierarch,,semiotics, biases relative to narrative,constructions identified in complex date and how,different audience may read content are concepts,integrated into project briefs. The historical,and contemporary nature and function of date,visualization within design studio practice will,be highlighted. Solutions integrate the breadth,and depth of communication design visual,language(s) to develop static or dynamic,solutions, that can be experienced on screen, in,print, or a performative space.

Credits: 3

Prerequisites: DGD 311 OR DGD 312