Category: Academic Programs & Courses

DSS-314 GENDER IDENTITY, SEXUALITY AND SOCIETY

This course is an introduction to an intersecting,range of theories, issues, and topics within the,field of gender and sexuality studies. The class,will explore the historical context of feminist,responses to patriarchal structures and a number,of sexual identities beyond the historical,male/female division, including lesbian, gay,,queer, transgender, inter-, and asexuality. These,frameworks of understanding will be used to deeply,consider a wide range of issues in terms of,relationships, social practice, political,policies, and art and culture.

Credits: 3

Prerequisites: DEN 102

DTR-221 DESIGN THEORY I

This course helps students understand the,complexity of the design process with exploration,and ideation methodologies. Written, verbal and,graphic presentation techniques are used to,develop design concepts. Emphasis is placed on,aesthetic considerations and the generation of,user-centered design ideas and concepts. Students,then focus on a design problem or opportunity and,communicate a solution.

Credits: 3

Prerequisites: DTR 125, DTR 126,COREQUISITE: DTR 113

DTR-333 JUNIOR EXTERIOR DESIGN STUDIO

The junior-year exterior design studio expands on,the process emersion experienced during the,sophomore year. Students must generate a,compelling, customer-driven design story as the,basis for their work. Advanced thinking in the,areas of aesthetics, primary research, inclusive,human factors, design theory and branding are,expected. The presence of corporate sponsors,along the way and the possibility of field trips,to professional design studios or factories will,further ensure the process has real-world career,relevance.

Credits: 3

Prerequisites: DTR202,DTR231,DTR257,DTR233

DTR-435 SENIOR MOBILITY DESIGN STUDIO

The senior mobility studio will stress the,consideration of user experience and social,impact in designing fleets of vehicles for public,use. Students will explore these facets by,researching the communities and larger regional,populations their designs are intended for. ,Sustainable materials and processes will be,investigated, as well as emerging cultural and,technical trends. Advanced presentations to,sponsors will illustrate the user-focused nature,of the students’ concepts, as well as the,students’ readiness to transition to the,professional world. Occasionally, course content,may be reinforced through field trips to,professional design studio or factories.

Credits: 3

Prerequisites: DTR 332, DTR 334, DTR 336, DTR 338

DVC-406 DOC FILM: (RE)PRESENTING THE REAL

Beginning with the idea that “all representation,is transformation,” students in this course will,examine the ways in which documentary films both,(re)present the sociohistorical world-the,”real”– and shape our perceptions of that,reality. Films drawn from a wide range of eras,,cultures, and perspectives will provide the,opportunity to explore concepts such as,authenticity, identity, evidence, authority, and,argument while course readings will analyze and,critique documentary films from a variety of,viewpoints including historical analysis, race,and gender studies, and critical theory. This,course satisfies the General Elective requirement.

Credits: 3

Prerequisites: DEN 239, DVC 200 OR DVC 306

FAD-301 TECH PACK DESIGN,TECH PACK DESIGN

In this course, students will learn the,technicalities in creating a drawing for,production, also known as a tech pack. Students,will learn how to develop a design concept for,the next step of production. The tech pack will,make the communication process more efficient,between the designer and the,manufacturer/prototyping.

Credits: 3

Prerequisites: DFN 119

FLM-326 NARRATIVE FILMMAKING II

This advanced film production course picks up,where Narrative Filmmaking I left off. It allows,students to focus their energies on the production,of a short of their own design, while continuing,to develop their technical skillset. The class is,a functioning small production studio, with,students crewing for each other in a range of,roles, participating in location scouting, casting,calls, the post-production pipeline, and regular,critiques. The entire production process and the,business of film will be addressed.

Credits: 3

Prerequisites: FLM 325 OR DMA 325

IAD-475 INTERDISCIPLINARY DESIGN INTERNSHIP

Participation in an internship experience allows,junior or senior status students to use,classroom-learned skills in a related employment,experience. Students must work a minimum of 135,hours over the course of the entire semester.,Students must have a minimum cumulative GPA of,2.8. Seniors may not be eligible to participate,in an internship during their final semester.,Transfer students must have attended one semester,at CCS in addition to meeting the other,eligibility criteria.

Credits: 6

Prerequisites:

CLA-606 CLIMATE ACTION STUDIO II

This is the second of a series of studio courses,that allow students on the MA and MFA Design for,Climate Action programs to develop their skills,and knowledge in live design briefs with industry,and community partners. By their nature, these,courses include socio-economic and political,considerations. The studio courses are designed to,challenge students with projects of increasing,complexity and progressively strengthen the,students’ problem-solving skills. Students solve,design problems requiring substantive research,,concept ideation and realization, and,implementation. ,Projects on this course address the environmental,impact of human habitats, including domestic waste,infrastructures, energy usage, transport systems,and logistics.

Credits: 3

Prerequisites: CLA 605