Category: Academic Programs & Courses

FAD-485 SPECIAL PROJECT

The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,

,WINTER 2024,

,,STUART WEITZMAN SPON PROJECT,

, In this sponsored studio with Stuart Weitzman,,one of the most iconic US luxury footwear brands,,students will design and develop a collection,their assigned brief. One of the main skills for a,graduate,designer is the ability to go into a brand and,design collections based on the understanding of,the,company’s DNA. The preparation of a professional,level presentation will include research,,collection,illustrations, and tech packs. In addition, a full,a color and material story with prototypes will be,produced to demonstrate the two-dimensional,designs in a more hands-on, three-dimensional,form.,The project will be in collaboration with the,Masters in Color and Material program.

Credits: 3

Prerequisites:

FLM-288 EXPERIMENTAL FILMMAKING I

Emphasis is placed on pushing the boundaries,(technologically, spatially and aesthetically),around the notions of narrative. Students,explore the history of non-traditional forms in,video and film, and may create single and,multi-channel video designed for galleries,,alternative and public sites.

Credits: 3

Prerequisites: FLM 201

IAD-310 IAD RESEARCH & PORTFOLIO

Taken in the semester prior to Interdisciplinary,Thesis I, students utilize this course to,research, identify, and develop potential thesis,projects in consideration of their specific skill,sets. Research methods will be reinforced and new,strategies for discovery will be developed, where,possible. The course will also include career,research, relevant to the individual student’s,particular path of study, with an eye toward,potential internship opportunities. Students end,the semester with a persuasive presentation,focused on their thesis concept, and are prepared,to apply for internships.

Credits: 3

Prerequisites: IAD 305

DAH-201 VISUAL NARRATION AFRICA

This course is an introduction to the visual,cultures of Africa and its Diasporas, through a,series of case studies in visual narration in a,wide variety of media and formats from Africa,,the Caribbean, the US, Brazil, and indeed,throughout the Black Atlantic. The case studies,range from altar-making to filmmaking, and from,sculpture to pageantries of carnival. The course,seeks to locate these individual,images-texts-objects in the larger narrative and,performance traditions, as well as the,socio-political and historical contexts, from,which they emerge. But the course also asks,where these forms are going, and how historical,memory works now, always in motion. What, then,,are the theoretical and practical implications,for establishing origins, authenticity, and the,future?

Credits: 3

Prerequisites:

DAH-310 RENAISSANCE AND MANNERIST ART

In the sixteenth century, as ancient manuscripts,began to be rediscovered, translated and made,available to European humanists such as Petrarch,,society turned in a more worldly direction.,Artists began adding classical themes to their,devotional repertories and more frequently,directed their attention to the problems of life,on earth. This class covers painters, architects,and sculptors, including Botticelli, Leonardo,da Vinci and Michelangelo in Italy, and Jan,Van Eyck, Hieronymous Bosch, Albrecht Durer and,Hans Holbein in northern Europe. Mannerism as an,outgrowth of the Renaissance is also discussed.

Credits: 3

Prerequisites: DAH 200, DAH 201 (or DAH 202)

DCE-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

DEN-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites: DEN 239

DFD-112 INTRODUCTION TO FIBER STRUCTURES

This course is an introduction to a variety of,hands-on fiber and material techniques with,emphasis on pliable fiber structures. Students,develop a broad understanding of fiber arts and,textile design. Techniques may include felting,,yarn creation, off-loom weaving, knitting,,crochet, or basketry. The study of techniques is,augmented with slide presentations, visiting,artists, and field trips.

Credits: 3

Prerequisites:

DFN-103 DRAWING I: MATERIALS & METHODS

Students explore drawing as an expressive tool to,generate, communicate, and develop ideas. With a,focus on basic drawing principles and,observational drawing, students will sharpen their,perceptual drawing skills while working towards,expressive methods. Contemporary attitudes toward,drawing will be introduced in the second half of,the semester as students expand their drawing,tools, materials and processes. Methods used to,develop ideas are examined through processes that,include research, archive and serial drawing.

Credits: 3

Prerequisites: