The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,
,
,FALL 2024,
,
,SCREENPLAY ANALYSIS,
,Students gain insights into the craft of,screenwriting and the development process through,the close study of several feature film,screenplays, the final cut of each film, and a,variety of the tools used by the renowned,screenwriters and directors who developed each,story and script.
Credits: 3
Prerequisites: DEN-102
This in-depth historical study examines the,development of textiles and the events relating,to their influence. Beginning with the Han,Dynasty in China, moving to Byzantium, and then,to the nineteenth century Industrial Revolution;,this course tracks the exchange of color, motif,,and fibers through trade. Also reviewed are,textiles of India, the Near East, Egypt, Northern,Africa, and Europe. Extensive reading and,research are required. Students respond to,content through detailed notebooks and studio,projects.
Credits: 3
Prerequisites: DFD 111
This class explores the interaction of color and,pattern through glassblowing techniques. Students,learn traditional techniques for using color,including cane, murrini, color overlays, color,cups, bit applications, and encalmo. Students work,up to developing their own designs and creating,their own unique techniques and color,applications. Students are responsible for,maintaining a sketchbook and giving assigned,presentations throughout the semester. The class,will primarily take place in the hot shop.
Credits: 3
Prerequisites: TAKE DGL-142
Faculty Mentoring Required: Must Complete Plan of Work before registering for 3rd year.
First Semester
15-16 Credit Hours
Second Semester
15 Credit Hours
Third Semester
15 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| GUS 100 | Undergraduate Studio Elective | 3§ |
| GUS 100 | Undergraduate Studio Elective | 3§ |
| DEN 102 | Composition II | 3 |
| DAH 200 | Western Art History/Visual Culture | 3* |
| DAH 201 | Digital Narration: Africa | 3* |
| DAH 202 | Digital Narration: Asia | 3* |
| D– 100-400 | Open Elective | 3 |
Fifth Semester
15 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| IAD 305 | Art as Narrative | 3 |
| GUS 200-400 | Undergraduate Studio Elective | 3 |
| D– 100-400 | Open Elective | 3 |
| DNS 200-400 | Natural Science | 3 |
| D— 100-400 | Open Elective | 3 |
Sixth Semester
15 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| IAD 308 | Art as Propaganda | 3 |
| IAD 310 | IAD Research & Portfolio | 3 |
| GUS 200-400 | Undergraduate Studio Elective | 3 |
| DAH 200-400 | Art History Elective (or) | 3*† |
| DVC 200-300 | Visual Culture Elective | 3*† |
| D— 100-400 | Open Elective | 3 |
Seventh Semester
15 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| IAD 407 | Interdisciplinary Thesis I | 3 |
| GUS 300-400 | Undergraduate Studio Elective | 3 |
| GUS 300-400 | Undergraduate Studio Elective | 3 |
| D– 200-400 | General Education Elective | 3 |
| DAH 200-400 | Art History Elective (or) | 3*† |
| DVC 200-400 | Visual Culture Elective | 3*† |
Eighth Semester
15 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| IAD 408 | Interdisciplinary Thesis II | 3 |
| GUS 300-400 | Undergraduate Studio Elective | 3 |
| GUS 300-400 | Undergraduate Studio Elective | 3 |
| DAE – – – | Art Education Elective | 3 |
| D— 200-400 | General Education Elective | 3 |
| D— 200-400 | General Education Elective | 3 |
*International students that require ELS-101 (4.0 cr); Total Credits = 121/122
Total credits: 121: First Year Experience=1; Foundations=15; Major=51; Gen Ed=42; Open Electives=12
GUS – Undergraduate Studio Elective – Required studio electives for the IAD major from an approved major/department. GUS course levls with an (*) exp. GUS 200*, must be satisfied at the level listed; other electives must be taken within the range listed (exp. 200-400 level). Mentoring is required for course approvals.
General Education Electives – Successfully complete any 200-400 level (non-required) Liberal Arts course, from subjects: DAH-Art History, DAS-Academic Studies, DEN-English, DHS-History, DLE-Liberal Elective, DNS-Natural Science DSS-Social Science, DPL-Philosophy, etc), DVC-Visual Culture.
Open Electives – Successfully complete any (3.0 credit) 100-400 level (non-required) course from an Undergraduate subject (Studio or Lecture).
This plan is provided for use as a guide only and is based on full-time status with successful completion of credits outlined per semester. Degree Timelines and requirements may vary based on actual program, credits completed per semester and/or catalog year. Students are responsible for confirming completion of all requirements before graduating (use program/student resources to support degree progression). Minimum Cumulative GPA of 2.0 required.
Scott Northrup
MA, The New School
BFA, College for Creative Studies
Faculty Mentoring Required: Must Complete Plan of Work before registering for 3rd year.
First Semester
15-16 Credit Hours
Third Semester
18 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| GUS 100 | Undergraduate Studio Elective | 3 |
| GUS 100 | Undergraduate Studio Elective | 3 |
| DEN 102 | Composition II | 3 |
| DAH 200 | Western Art History/Visual Culture | 3* |
| DAH 201 | Digital Narration: Africa | 3* |
| DAH 202 | Digital Narration: Asia | 3* |
| DAE 250 | Human Development Creative & Visual Learning | 3 |
| D– 100-400 | Open Elective | 3 |
Fifth Semester
15 Credit Hours
Sixth Semester
15 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| IAD 308 | IAD Junior Thesis | 3 |
| IAD 310 | IAD Research & Portfolio | 3 |
| GUS 200-400 | Undergraduate Studio Elective | 3 |
| DAH 200-400 | Art History Elective (or) | 3*† |
| DVC 200-400 | Visual Culture Elective | 3*† |
| DAE 405 | Secondary Art Teaching: Meth, Math & Literacy | 3 |
Seventh Semester
15 Credit Hours
Eighth Semester
15 Credit Hours
| Course # | Course Title | Credits |
|---|---|---|
| IAD 408 | Interdisciplinary Thesis II | 3 |
| GUS 300-400 | Undergraduate Studio Elective | 3 |
| GUS 300-400 | Undergraduate Studio Elective | 3 |
| DAH 200-400 | Art History Elective (or) | 3*† |
| DVC 200-400 | Visual Culture Elective | 3*† |
| DAE – – – | Art Education Elective | 3 |
Ninth Semester
12 Credit Hours
138-139
GUS – Undergraduate Studio Elective – Required studio electives for the IAD major from an approved major/department. GUS course levls with an (*) exp. GUS 200*, must be satisfied at the level listed; other electives must be taken within the range listed (exp. 200-400 level). Mentoring is required for course approvals.
General Education Electives – Successfully complete any 200-400 level (non-required) Liberal Arts course, from subjects: DAH-Art History, DAS-Academic Studies, DEN-English, DHS-History, DLE-Liberal Elective, DNS-Natural Science DSS-Social Science, DPL-Philosophy, etc), DVC-Visual Culture.
Open Electives – Successfully complete any (3.0 credit) 100-400 level (non-required) course from an Undergraduate subject (Studio or Lecture).
Art Education Elective – Successfully complete an approved 100-400 level studio course from an undergraduate major (outside of the assigned major). Art Ed Department Chair approval required for course selection.
This plan is provided for use as a guide only and is based on full-time status with successful completion of credits outlined per semester. Degree Timelines and requirements may vary based on actual program, credits completed per semester and/or catalog year. Students are responsible for confirming completion of all requirements before graduating (use program/student resources to support degree progression). Minimum Cumulative GPA of 2.0 required.
Scott Northrup
MA, The New School
BFA, College for Creative Studies
Lee, Jhih-Yin
Ph.D. University of Georgia M.Ed. University of Houston
Amy Ruopp
Ph.D., EDS, University of Missouri
MAT, BFA, Maryland Institute College of Art
This course is a survey of Western Art and,visual culture from the late Middle Ages to the,twentieth-century. Other than to present an,outline history of Western art, this course seeks,to introduce students cumulatively to the,critical concepts and vocabulary in the study of,art history, visual culture, art appreciation and,historiography of art, that is, the study of the,writing about art and its history. The course,will seek to introduce students to historically,relevant accounts of the philosophical,,religious, poetic and technological contexts of,art as well as to introduce new forms of,historical thinking on the relevance of the,recognition of social, political and economic,,(race, class and gender)in the understanding of,both the making of art and its audience.
Credits: 3
Prerequisites:
This course focuses on artists’ response to the,sweeping social, philosophical and political,changes that began in the late nineteenth century,,including Expressionism, Cubism and Futurism.,Students explore the work of modernists who,affronted their audiences in order to bring about,changes in perception, including the artists of,the Dada movement, who mocked art and society, and,the Surrealists, who explored the unconscious as a,resource for art. Artists studied include Henri,Matisse, Wassily Kandinsky, Franz Marc, Pablo,Picasso, Marcel Duchamp, Salvador Dali and Max,Ernst.
Credits: 3
Prerequisites: DAH 200, DAH 201 (or DAH 202)
Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.
Credits: 3
Prerequisites: DEN 239
The special project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites:
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.,
,FALL 2023,
,
,CREATIVE CONSTRUCTIONS:TELE-STORIES PROJECT,,The course will be offered in partnership with,Timeslips, a nonprofit organization that connects,students with elder populations to foster,connection creativity through conversation /,engagement. The goal of Timeslips is to change the,way we understand and experience aging by bringing,young people into positive relationships with,seniors, who will be invited to express themselves,creatively. Students will be trained in,questioning, listening, and collecting responses,that will be translated into assignments that will,culminate in a capstone project to be gifted to,their senior partners. Benefits for seniors are,human connection and interest, memory share,opportunities, and a rekindled interest in,creativity. Benefits for students are an altered,attitude toward aging, increased confidence, and,novel prompts for art making and connection.,Benefits for the college include enhancing our,reputation as an institution engaged in social,activism and committed to both experiential,learning and DEI initiatives that generate both,local and global impact.,
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,ICELANDIC SAGAS,
,The saga is a distinct genre of prose narrative,recorded in medieval Iceland which fictionalized,events that took place during the time of the,Vikings from the settlement of Iceland about 870,AD to just after the conversion to Christianity in,the year 1000. Sometimes called “family sagas”,because they document generations of activity,within single family lineage, sagas are the,crowning achievement of medieval narrative art in,Scandinavia and the later Norse world, and have,their own set of characteristics and audience,expectations. Depicting strong individuals within,a new immigrant society that was primarily,self-governed, sagas are regarded as forerunners,of the modern historical novel.,
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Credits: 3
Prerequisites: DEN-102