This course focuses on an in-depth examination of,intaglio (copper plate etching) and lithography,processes, while dealing with traditional and,contemporary methods such as; stone and plate,lithography, limited edition versus unique,printing, and photo-transferring digital imaging.
Credits: 3
Prerequisites: DFN 103 DFN 104 DFN 120 DPM 115 (formerly DFA 115)
This course has been structured to develop a range,of creative relationships, and the technical and,conceptual skills, necessary to produce content in,printmaking media. Forms including artist books,,ephemera, and hybrid and collaborative print,ventures will be investigated. Students will be,guided and encouraged to develop strategies to,publish, edition, and disseminate their work into,a range of markets, and for a number of audiences,,beyond the gallery and the museum. Working with,faculty, each student proposes, in writing, a,semester-long program of involvement and creative,activity resulting in a personally directed body,of work and publication. It may cross disciplines,,combine processes, or be focused on more advanced,technical issues. In all cases, it links to the,student’s conceptual investigations in other,disciplines.
Credits: 3
Prerequisites: DFN 103 DFN 104 DFN 120 DFA 115
This course teaches the basics for woodworking,while introducing the woodshop and the equipment,necessary for working in wood. Students,investigate, through demonstrations and exercises,,various techniques used in woodworking.
Credits: 3
Prerequisites: DFN 116
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites:
Students research and explore sculptural methods,and materials through the exploration of both,non-representational and figurative approaches.
Credits: 3
Prerequisites: DFN 116 DFN 121 SAC106 (formely DFA-106)
An interdisciplinary approach: printmaking is a, unique way to make images and to think about the, construction of images. It emphasizes thinking in, layers and processes that value indirect and, highly mediated production.
Credits: 3
Prerequisites: DFN 101, DFA 105, DFA 115, DFA 215
In this course, the diverse possibilities of,lithography, intaglio and papermaking serve as a,focal point for augmenting the extensive primary,skills already acquired. As the scope of artistic,development and sensibility matures, instruction,becomes increasingly individualized.
Credits: 3
Prerequisites: DFA 240, DFA 243, DFA 255
This course allows students who have progressed,beyond the beginning level screen printing,course, and engage with a more extensive and,expansive approach as it relates to their own art,practice, all while presenting important visual,and conceptual problems relevant to the screen,printing medium that challenges previous set,boundaries of the serigraphy and its,methodologies.
Credits: 3
Prerequisites: SAC 105 (formerly DFA 105) and DPM-260 (formerly DFA 260)
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites: DFN 116, DFn 118, DFN 105, DFN 106
In this course, students explore the,interdisciplinary nature of the book form and its,content from conception to execution. This course,covers all stages of creating a limited edition,book, including development of text, instruction,of printmaking, letterpress and digital,technology, and a variety of bookbinding,techniques.
Credits: 3
Prerequisites: DFN 117, DFN 120 and DFN 137