This seminar explores the following: (i) art,becomes modern when art is rejected; (ii) there is,no modern art without poetry, philosophy, ethics,or the political; (iii) art becomes modern when,the poet Charles Baudelaire realizes the city as,an active subject in art; (iv) the city and,anti-art produce an avant-garde which claims to,refuse art. Broadly speaking, the course is not,concerned with the claim of a particular movement,or artist as the beginning of modern and/or,avant-garde activity; instead the course is,concerned with the practices, attitudes and values,that make for distinctively modern conceptions of,artistic activities, of which the following are,emphasized: the city, poetry, spectacle and,performance. There is a special section in the,course devoted to the city and film. Students,will be encouraged to devise creative responses in,film, photography, digital media, drawing,,painting, sculpture etc. to their environment.
Credits: 3
Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).