DFA-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

DMA-228 STOP MOTION I

This class focuses on object, clay and puppet,animation. Topics covered include staging,,choreography, direction, acting, stage design and,cinematic language. Students explore the,characteristics of physical space and how movement,can be used to suggest weight and gravity.,Students also investigate light and shadow in,scenes and learn how to create convincing stop,motion characters, analyzing personality and,attributes from diverse backgrounds, through,design, observation, materials and single-frame,animation.

Credits: 3

Prerequisites: DMA 243 ANIMATION NUTS & BOLTS

DMA-285 SPECIAL PROJECT 100/200

The Special Project class is offered on an,occasional basis, with course content specific to,the to the area being explored

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,WINTER 2024,
,INTRODUCTION TO HARMONY,
,Students will be introduced to Toon Boom Harmony,basics with exercises that can be applied to,the individual’s portfolio. This will be an,excellent opportunity for the student to,understand the hybrid,elements of hand-drawn and puppet animation and,get more comfortable with industry-standard,software. In addition, the student will continue,expanding their knowledge of the principles of,animation,and improve their overall polish.

Credits: 3

Prerequisites: Take DMA-101 and DMA-120

FLM-285 SPECIAL PROJECT 100/200

The Special Project class is offered on an,occasional basis, with course content specific to,the area(s) being explored.,
,FALL 2023,,
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,SCORING FOR FILM,
,The practice of scoring for film is as old as film,itself. This course will concern itself with the,creation of original music to accompany the visual,medium. Students will learn the basics of music,terminology and composition and learn to record,and mix music with dialog and sound effects in the,creation of sound effects in the creation of,soundtracks for media production.

Credits: 3

Prerequisites:

DCR-351 CRAFT JUNIOR STUDIO II

Students develop a concise research and design,brief to guide their studio work throughout the,semester. Concepts are explored through studio,work and presentations. Critical readings,,discussion, visiting artists and critique will,take place in class. Documentation and,professional portfolio materials will be,addressed. Students will consider how their group,and individual identity inform their artwork.

Credits: 3

Prerequisites: DCR 350

DFA-500 GLOBAL LEARNING EXPERIENCE

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.,
,WINTER 2024,
,ZIMBABWE,This is a study abroad course to Zimbabwe in,Southern Africa. Zimbabwe as a kingdom began in,the 9th century during the early Bantu migration,south and its historical architectural structures,still exist intact. In 1980, Detroit’s Motown,favorite, Stevie Wonder, dedicated a song together,with Bob Marley on Zimbabwe’s independence,celebration. Zimbabwe, like Detroit, is rooted in,art forms embedded in culture and a revolutionary,spirit.,This course provides students an opportunity to,learn about Zimbabwe, its history, culture and,contemporary significant in a global dialogue.,Students will interact with peers and,professionals from institutions and artist run,spaces in Zimbabwe. The course will be both,offsite and onsite. The course begins during the,winter semester where the focus is about,learning the history and culture through lectures,,literature, movies, and workshops. There will,be guest’s interaction to the campus and via,Skype. Students will connect with peers in,Zimbabwe to begin conversations prior to going,there. The onsite experience is an intense 15-,16 days where students are introduced to both,contemporary and traditional cultural spaces in,both the urban and rural areas of Zimbabwe. There,are workshops in specific spaces such as,Medicinal and Natural pigments at Dzimbanheta Art,Centre, Basketry Mbare Art Center,,printmaking at Animal Farm, to stone carving in,Tengenenge Village. The workshops will not,define the art produced from this course, rather a,shared platform to trigger ideas and,dialogue. The class will end with a one-night,exhibit in Harare derived from the course research,in collaboration with students from Chinhoyi,University of Technology, Harare Polytechnic and,the School of Visual Studies at the National,Gallery of Zimbabwe. This research will then be,shared on campus the following semester, Fall,2024.

Credits: 3

Prerequisites: SLP 007

DMA-230 EXPERIMENTAL ANIMATION

Students undertake hands-on exploration of,nontraditional ways of creating animations. They,experiment with materials such as charcoal,on paper, chalk on blackboard, painting on and,scratching off film, cut outs, sand animation,,painting on glass and painting with clay, or may,choose their own materials. American and,international experimental animation are used as,an inspiration and challenge for students in the,development of their personal work.

Credits: 3

Prerequisites: