DPM-265 EXPLORING THE BOOK

In this course, students explore the,interdisciplinary nature of the book form and its,content from conception to execution. This course,covers all stages of creating a limited edition,book, including development of text, instruction,of printmaking, letterpress and digital,technology, and a variety of bookbinding,techniques.

Credits: 3

Prerequisites: DFN 117, DFN 120 and DFN 137

SAC-490 INDEPENDENT STUDY

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites:

DSC-355 PERFORMATIVE OBJECT

This course investigates sculpture object making., Students experiment with a wide range of scale,,format, materials and media options, with,emphasis on the creation of meaning in personal,objects. Presentations and readings provide,historical and contemporary context for a deeper,understanding of sculpture as object. Readings,include Queer Phenomenology: Orientations,,Objects, Others by Sara Ahmed,.

Credits: 3

Prerequisites: DFA 230, DFA 231 OR DFA 332

DSC-175 BEGINNING BENT PLYWOOD

This course will introduce students to bending,birch plywood to create custom curved shapes. ,Students work through the basics of building, and,lamination processes. Paper modeling and other,hands-on processes will be used to inform design,decisions and mimic construction processes. The,plywood bending techniques allow for a wide range,of possibilities ranging from lighting fixtures to,seating and sculpture. Open to non-majors.

Credits: 3

Prerequisites: Take DFN-116

SAC-500 GLOBAL LEARNING EXPERIENCE

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.

Credits: 3

Prerequisites: SLP 007

DPM-330 ADVANCED SCREEN PRINTING,ADVANCED SCREEN-PRINTING

This course allows students who have progressed,beyond the beginning level screen printing,course, and engage with a more extensive and,expansive approach as it relates to their own art,practice, all while presenting important visual,and conceptual problems relevant to the screen,printing medium that challenges previous set,boundaries of the serigraphy and its,methodologies.

Credits: 3

Prerequisites: SAC 105 (formerly DFA 105) and DPM-260 (formerly DFA 260)

DSC-365 INSTALLATION/SITE

This course explores the theory and practice of,creative site activation through material,,technological and performance-based interventions.,Students will have the opportunity to work in,extended relationships to site and space, via,light, sound, time based technologies like video,,and performance. Students will investigate,installation as active experience between artist,and site, and site and the question of audience.,Open to non-majors with departmental approval.

Credits: 3

Prerequisites: DFA 105, DFA 130, DFA 253