Catalog
In this course, the diverse possibilities of,lithography, intaglio and papermaking serve as a,focal point for augmenting the extensive primary,skills already acquired. As the scope of artistic,development and sensibility matures, instruction,becomes increasingly individualized.
Credits: 3
Prerequisites: DFA 240, DFA 243, DFA 255
The Special Project class is offered on an,occasional basis, with course content specific to,the area being explored.
Credits: 3
Prerequisites:
Junior or first-semester senior students in good,academic standing have the opportunity to spend a,semester (fall or winter) or a full year of study,at an accredited institution abroad. Information,is available from International Student Services.
Credits: 12
Prerequisites:
An interdisciplinary approach: printmaking is a, unique way to make images and to think about the, construction of images. It emphasizes thinking in, layers and processes that value indirect and, highly mediated production.
Credits: 3
Prerequisites: DFN 101, DFA 105, DFA 115, DFA 215
The Survey and Methods course sequence provides an,introduction to six of the major studios in Art,Practice and Crafts/Material Studies. In this,dynamic course, students rotate in three 5-week,sessions through the areas of Metals, Print, and,Fibers/Textiles. Each five-week session provides,students with an understanding of materials,,processes, and protocols that are specific to the,context of each studio. Hands-on projects will,cultivate basic visual and technical skills as,students examine how material exploration can,drive innovation and shape individual processes of,making. Students will be guided to explore,critique methodologies while building vocabulary,to articulate their own creative intent and,analyze the work of others. Survey and Methods is,a two-part course taken during the Freshman year. ,Survey and Methods I takes place the fall,semester, followed by Survey and Methods ll during,winter semester. The courses can be taken in,either sequence.
Credits: 3
Prerequisites:
Students research and explore sculptural methods,and materials through the exploration of both,non-representational and figurative approaches.
Credits: 3
Prerequisites: DFN 116 DFN 121 SAC106 (formely DFA-106)
The Survey and Methods course sequence provides an,introduction to six of the major studios in Art,Practice and Crafts/Material Studies. In this,dynamic course, students rotate in three 5-week,sessions through the areas of Ceramics, Glass,,and Sculpture, Each five-week session provides,students with an understanding of materials,,processes, and protocols that are specific to the,context of each studio. Hands-on projects will,cultivate basic visual and technical skills as,students examine how material exploration can,drive innovation and shape individual processes of,making. Students will be guided to explore,critique methodologies while building vocabulary,to articulate their own creative intent and,analyze the work of others. Survey and Methods is,a two-part course taken during the Freshman year. ,Survey and Methods I takes place the fall,semester, followed by Survey and Methods ll during,winter semester. The courses can be taken in,either sequence.
Credits: 3
Prerequisites:
This course teaches the basics for woodworking,while introducing the woodshop and the equipment,necessary for working in wood. Students,investigate, through demonstrations and exercises,,various techniques used in woodworking.
Credits: 3
Prerequisites: DFN 116
How do artists develop the discipline to maintain,a studio practice? What kinds of creative,strategies support an ongoing, exploratory and,expansive studio practice? What are the ways,artists define research and how does that research,fuel and expand ideas that influence processes of,making? Sophomore Seminar addresses theoretical,and practical concerns that are central to working,artists. Topics include the role of artists in,society, the artist/audience relationship,,creative practices, authenticity and ownership,,the role of judgment in critique, as well as,subjects from a broad range of cultural,,political, and socio-economic positions that,inform contemporary art and craft-related,practice. Through readings, research, and,presentations, students will examine their own,positions relative to the various topics and the,trajectory of their individual paths as artists,and artisans.
Credits: 3
Prerequisites: SAC-105, SAC-106
In this course, the systematic study of the human,figure is used as the foundation for formal,,conceptual and expressive sculptural explorations.,Students work directly from live models,,instructed in armature building techniques,,modeling from clay and direct body casting. Open,to non-majors with departmental approval.
Credits: 3
Prerequisites: DSC-130 (formerly DFA 130)