Category: Communication Design

This required course, the first in a series of two,courses, examines concepts of contemporary design,practice within the area of Communication Design. ,In this course students will develop an,understanding of various forms of practice, from,independent contract to junior/senior positions to,studio ownership. Through on-site/virtual studio,visits that includes BIPOC business leaders,,students will learn first hand professional,expectations. Students develop an understanding,of business tools used by professionals. Students,create a kit of materials to prepare them for the,design market, including resume, writing design,briefs, project proposals, time management,platforms, preliminary understanding of taxes and,copyright policies, and junior level portfolio. ,The second course, Professional Studio Practice II,will be taken in their senior year, as preparation,for entering the professional design market.

Credits: 3

Prerequisites: DGD 212, DGD 277

The Special Project course is offered on an,occasional basis, with course content specific,to the area being explored.,
,WINTER 2024,
,MOTION BRANDING,This motion design course is an elective and,expands on the concepts and methods presented in,previous motion design courses. Students will,develop their understanding of how messages are,created in a time-based context using typography,,image, sound, and semiotics. Projects will,integrate 2D animation concepts and digital tools,and techniques relevant to communication design,majors to explore the important role of motion,graphics in branding and video creation. Projects,consider appropriate messaging structures with,audience(s)/User(s) needs and intents as a primary,focus.,
,DESIGN ENTREPRENEUR ,
,This elective ?course expands on a student’s,understanding of design studio practice by,introducing the concept of designer as,entrepreneur. Research into markets, and capacity,will be presented, along with expanded design,methodologies to help move solutions from concept,to marketplace. Students will design a small,edition of objects that work as a set with a,market(s) or user(s) in mind. Students will be,exposed to alternative models of making that,include but are not limited to publishing,,authorship, curation and product development.,Students will explore alternative tools,,techniques, and substrates that will expand their,prototyping capabilities low-fi to high fidelity,,will be utilized to aid in the creation of,well-crafted design solutions

Credits: 3

Prerequisites: DGD 311

This third motion design course is an elective,,and expands on the concepts and methods presented,in designing dynamic digital communications that,rely on the use of typography, image, video,,message, and sound that were introduced in Motion,I and II. Students will integrate 3D/4D concepts,to a system of dynamic design solutions that,consider more complex applications of digital and,analog tools, while also focusing on the different,audiences/users, editorial messages structures,,and editing choices to meet the needs of the,project goals.

Credits: 3

Prerequisites: DGD 224, DGD 311 OR DGD 312

Independent Study is available to students who are,at Junior or Senior level standing with a,cumulative grade point average of 3.00 or above.,The student may receive approval to work in an,area or on a project that is not otherwise offered,or addressed in the regular curriculum. An,Independent Study should include opportunities for,individual student voice and provide a space for,diverse perspectives. Students may receive credit,toward graduation for no more than 6 credit hours.,The student must submit to the chairperson of the,department in which they wish to study, an,Independent Study Proposal of 150 words (no less),of the student’s plan for study and her/his reason,for choosing to study independently. Once the,department chairperson provides approval and the,instructor for the Independent Study is,determined, the faculty member must write an,Independent Study Syllabus with education goals,,learning outcomes, meeting dates, course,expectations, timelines, and due dates. Art,Education candidates must pass DAE 490 with a,grade of ‘C’ (2.00) or higher to qualify for,certification.

Credits: 3

Prerequisites: DGD 311 OR DGD 312

This motion design course introduces concepts and,methods used in designing dynamic digital,communications that rely on the typography, image,,video, sound, and message. The language of motion,design and its associated meaning(s) are presented,through a series of dynamic projects, where,students select the narrative content they,explore. Students learn relevant techniques and,concepts, associated with both analog and digital,tools in order to aid in the creation of,well-crafted dynamic sequential solutions. ,Students may elect to take additional courses,,Motion Design II and III, starting in the junior,year.

Credits: 3

Prerequisites: DGD 151 OR DGD 201

Students will work in the creative process of,original typographic design which will emphasize,exploration, historical research and synthesis of,these variables in typographic design. Students,will consider and explore various design process,methodology related to type design. Students are,encouraged to use technology and media that,reflects the project outline and student’s skill,level. Students will revisit and review,typographic nomenclature relevant to type design,and consider the important role of graphic design,history in the context of type design. An,inclusive historical lens is encouraged.

Credits: 3

Prerequisites: DGD 311 OR DGD 312

(This is a faculty led study abroad course *,syllabi will differ per destination) ,,On a Global Learning Experience course, students,are brought outside the typical classroom, for a,24/7 learning experience in varying locations,outside the USA. The course will provide students,with tools for analyzing your learning process and,identifying cultural patterns, differences,,similarities and values encountered during the,journey. Students develop a sense of,cross-cultural understanding, and navigate towards,becoming a global citizen. Students develop a,heightened sense of confidence, and leadership as,they plan, and execute this excursion. In,addition students discover the role of becoming an,ambassador for their own culture. Practical issues,about studying abroad (safety, money, packing,,etc.) are delivered via pre-departure sessions,with the International Student Services Office.

Credits: 3

Prerequisites: SLP 007

This required typography course, the first in a,sequence of three, develops an understanding of,two-dimensional design space and the unique nature,of typographic communication principles. Through,a series of projects centered around the role of,type in communication design, students develop an,understanding of typographic aesthetics, concepts,of organization, understanding nuance of language,based messages to achieve a particular hierarchy,,while emphasizing the role of analog and digital,tools to achieve well-crafted solutions with,specific communication intent. Content used in,this course present design’s complex history,,while also providing students the opportunity to,lend their point of view in content analysis.

Credits: 3

Prerequisites:

In this course, students apply their knowledge of,grid systems and type families to develop informed,solutions to complex communication problems. This,course emphasizes research methods and creative,processes that encourage experimentation.,Typographic systems are created for print,,interaction design and motion graphics. Projects,,discussions, and readings focus on the practical,and theoretical concerns in contemporary,typographic communications.

Credits: 3

Prerequisites: DGD 311 OR DGD 312

The program is an intense three week studio,program for advanced communication design,students. Students complete projects working,with,faculty from Europe. The program includes,lectures, studio visits and visits to museums and,collections. Contact the department for,application and portfolio requirements.

Credits: 3

Prerequisites: