Category: Academic Programs & Courses

DIL-386 INTRODUCTION TO VISUAL DEVELOPMENT

In this course, students will complete a deep-dive,investigation into the role of a visual,development artist within the animation industry. ,Students will come to understand how this creative,role fits into a greater production pipeline, and,know all of the various specialities that exist,within this umbrella term. Students should leave,this course with a solid visual development,project for their portfolios. From the concepting,stage to the final version of their project,,students will develop projects that reflect,diverse audiences including race, gender, sexual,orientation/Identity, community development,,disability/differently-abled, climate,change/justice/sustainability, global cultures,,and economic class.

Credits: 3

Prerequisites: DIL 231, DIL 261,DIL 231

DIN-128 FRESHMAN INTERIOR DESIGN STUDIO II

This course emphasizes further exploration of,technical illustration approaches that can be,combined to produce informative presentations.,Focus is on perspective techniques, section and,isometric drawing, developing color plans,,elevations and illustrations for presentations. A,variety of approaches to color media may be,introduced, along with continued hand-lettering,exercises from which students develop presentation,skills appropriate to the interior design field.,Prismacolor, markers, pastel and watercolor may be,incorporated.

Credits: 3

Prerequisites: DIN 127

DIN-431 SENIOR INTERIOR DESIGN STUDIO I

In this course, a professional project,encompassing knowledge and skills gained in,previous years, is developed. Projects may include,an internship, workshop or mentor experience and,is meant to be an intensive ulmination/integration,project that highlights the student’s portfolio.

Credits: 3

Prerequisites: DIN 332, DIN 351

DLE-400 WHAT MAKES MODERN ART MODERN

This seminar explores the following: (i) art,becomes modern when art is rejected; (ii) there is,no modern art without poetry, philosophy, ethics,or the political; (iii) art becomes modern when,the poet Charles Baudelaire realizes the city as,an active subject in art; (iv) the city and,anti-art produce an avant-garde which claims to,refuse art. Broadly speaking, the course is not,concerned with the claim of a particular movement,or artist as the beginning of modern and/or,avant-garde activity; instead the course is,concerned with the practices, attitudes and values,that make for distinctively modern conceptions of,artistic activities, of which the following are,emphasized: the city, poetry, spectacle and,performance. There is a special section in the,course devoted to the city and film. Students,will be encouraged to devise creative responses in,film, photography, digital media, drawing,,painting, sculpture etc. to their environment.

Credits: 3

Prerequisites: Take one 3.0 credit, 200 level course from one of the,following subjects: DAH (Art History), DEN (English), DAS,(Academic Studies), DVC (Visual Culture).